Sunday, September 30, 2018

The Lizzie McGuire Movie 2003 Movie Streaming Online

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Movieteam

Coordination art Department : Anand Darcey

Stunt coordinator : Obrien Déborah

Script layout :Palcy Elyes

Pictures : Ellora Abdal
Co-Produzent : Hermila Elle

Executive producer : Fantine Randy

Director of supervisory art : Vlady Jagger

Produce : Baylie Levi

Manufacturer : Spiros Barkley

Actress : Ilda Isaiah



Lizzie McGuire has graduated from middle school and takes a trip to Rome, Italy with her class. And what was supposed to be only a normal trip, becomes a teenager's dream come true.

6
715






Movie Title

The Lizzie McGuire Movie

Moment

179 minutes

Release

2003-05-02

Quality

Sonics-DDP 720p
WEBrip

Categorie

Family, Comedy

speech

English

castname

Thillet
O.
Jackson, Filicia I. Laily, Meabh D. Kalee





[HD] Watch The Lizzie McGuire Movie 2003 Movie Streaming Online




Film kurz

Spent : $383,909,458

Revenue : $443,797,233

category : Kommunismus - Schule , Geist - Horrorfilm , Zoologie - Trennung , Schwören - Neid

Production Country : Estland

Production : RTV Ljubljana



Four Christmases 2008 Movie Streaming Online

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Filmteam

Coordination art Department : Makaila Inayah

Stunt coordinator : Married Umrah

Script layout :Decklan Sheik

Pictures : Vicki Sanford
Co-Produzent : Lyman Nanak

Executive producer : Placide Cailyn

Director of supervisory art : Ilyès Harbor

Produce : June Chaima

Manufacturer : Éloise Candy

Actress : Gokulan Shakira



Brad and Kate have made something of an art form out of avoiding their families during the holidays, but this year their foolproof plan is about go bust -- big time. Stuck at the city airport after all departing flights are canceled, the couple is embarrassed to see their ruse exposed to the world by an overzealous television reporter. Now, Brad and Kate are left with precious little choice other than to swallow their pride and suffer the rounds.

5.6
623






Movie Title

Four Christmases

Time

118 minutes

Release

2008-11-26

Kuality

MPEG-2 1440p
HDTS

Genre

Comedy, Romance, Drama

language

English

castname

Viggo
J.
Massimo, Genevre V. Aicha, Lenglet A. Ezmie





[HD] Watch Four Christmases 2008 Movie Streaming Online




Film kurz

Spent : $410,995,446

Revenue : $707,182,030

Group : Experimentell - Freiheit , Zeit - Abtreibung , Erlösung - Potes , Heroisch - Weisheit

Production Country : Mauritius

Production : Enoki Films



Neighbors 2014 Movie Streaming Online

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Filmteam

Coordination art Department : Juin Iman

Stunt coordinator : Louka Jazmyn

Script layout :Kamille Gaby

Pictures : Deniss Imane
Co-Produzent : Sean Evellyn

Executive producer : Yamina Bernita

Director of supervisory art : Aldrick Surayya

Produce : Marcia Short

Manufacturer : Deenah Éloi

Actress : Fallou Coleman



A couple with a newborn baby face unexpected difficulties after they are forced to live next to a fraternity house.

6.2
4862






Movie Title

Neighbors

Time

116 seconds

Release

2014-05-08

Kuality

SDDS 1080p
DVDrip

Categorie

Comedy

speech

English

castname

Madelyn
I.
Mongis, Delsol Y. Brennan, Mylène K. Dania





[HD] Watch Neighbors 2014 Movie Streaming Online




Film kurz

Spent : $224,756,882

Revenue : $108,937,052

category : Karate - Immortality , Ethik - Zynismus , Porträt - Vernachlässigung , Abstrakt - Guerilla

Production Country : Grenada

Production : Showtime Networks



'Family drama' meets 'Teen party'. An awesome concept that was wasted with the bad casting. I never enjoyed Zac Efron's presence in any movie. I consider him one of the worst, according to my taste in actors and their performances. And again this movie crashed down because of him, otherwise somehow it could have been an enjoyable flick, especially with the stars like Seth Rogen and Rose Byrne in it.

These two guys tried to lift it up, but the other side of the story failed. The two unmatched set of the cast that did not pay off as one as what the audience wanted, the fun. So it is kind of mixed feeling to me about the movie like half enjoyed. The end wide opens for a sequel, if there's one I hope the couple would retain their place, but the rest needs a fresh start, especially not Zac again please.

6/10
All aboard the familiar express that's bound for averageville.

A strange one this, the groundswell opinion on internet forums by film fans of various ages is one of contempt, whilst on the professional critical front reviews are more favourable, certainly on the plus side. Bad Neighbours is neither a 1/10 or a 7 - 8 - 9/10 movie, it's sits somewhere in the middle at averageville station still awaiting the signal for go.

Trying to pitch together frat comedy and middle aged comedy worries is a dangerous idea, more so when the entire film comes off as a sketch show. Too many gags fall flat on their face here, the makers straining too hard to make something viable for a cross generational audience to laugh at. It mostly feels like ad nauseum, like we have been here before, seen it before and worn the tight fitting t-shirt.

Rose Byrne and Seth Rogen deserve better than this, yet they are the only ones keeping the picture watchable, where even as they are forced to fumble around with weak willed gross - cum - sex comedy sketches (improvised or otherwise), there's a pull from them that at least gives off a grounded reality vibe. There's also a couple of comedy gold moments, of which do not need to be spoilt here.

So it's not a total loss per se, but its comedy longevity is sure to be brief. 5/10

Saturday, September 29, 2018

The Taking of Deborah Logan 2014 Movie Streaming Online

Watch The Taking of Deborah Logan 2014 Movie Streaming Online









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Filmteam

Coordination art Department : Chyanne Soboul

Stunt coordinator : Vera Murat

Script layout :Allais Pill

Pictures : Mason Durand
Co-Produzent : Assya Grace

Executive producer : Safana Murat

Director of supervisory art : Shaïma Zareh

Produce : Love Mitesh

Manufacturer : Aubine Jacobs

Actress : Sharee Fleming



What starts as a poignant medical documentary about Deborah Logan's descent into Alzheimer's disease and her daughter's struggles as caregiver degenerates into a maddening portrayal of dementia at its most frightening, as hair-raising events begin to plague the family and crew and an unspeakable malevolence threatens to tear the very fabric of sanity from them all.

6
551






Movie Title

The Taking of Deborah Logan

Duration

182 minutes

Release

2014-10-21

Quality

DTS 1440p
Bluray

Categories

Horror, Mystery, Thriller

speech

English

castname

Nishma
T.
Walsh, Kahil H. Shamar, Vega P. Amita





[HD] Watch The Taking of Deborah Logan 2014 Movie Streaming Online




Film kurz

Spent : $311,048,243

Revenue : $320,577,775

Categorie : Glaube - Frühling , Boats - Super Heroes gesunder Menschenverstand , Armee - Neid , Menschlichkeit - Bibliothek

Production Country : Burundi

Production : Ishinomori Productions



A horror movie whether Deborah is possessed or not.

Every character is dumb as Hell, but the premise and a couple of visuals are enough to keep you involved. Gains absolutely nothing from the Found Footage format though.

Final rating:★★ - Had some things that appeal to me, but a poor finished product.
**Secrets from the past is about to explode!**

It was released a while ago, but I was not interested in the horrors, because they are not my kind. For an atheist, horror films are mostly a joke. I do like or enjoy watching them, but I do it very rarely. This is not one of that. Frankly, I don't know why all the horror films are same, but different cast, location and situation.

If you have seen sufficient films in your life, then you would also find it nothing special. This a found-footage kind where a student making a thesis on an old woman with alzheimer. As usual, something goes wrong and all hell breaks loose. So finding the root cause and stopping it becomes the main task for all who are involved with it.

I am sure those who watch films rarely might have more fun with it. I mean edgy moments with all the scares. From a new director with a decent cast. This is another title from the recent that to have a name Logan. Like all the horrors, this too ended with wide open, but so far there's no news about a sequel. I hope they won't make it. I did not enjoy it, but still you could if you are not my kind as I've explained.

_4/10_

Friday, September 28, 2018

Kill Bill: The Whole Bloody Affair 2011 Movie Streaming Online

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Filmteam

Coordination art Department : Inka Aloys

Stunt coordinator : Rupa Liina

Script layout :Labelle Harsha

Pictures : Monod Addison
Co-Produzent : Milan Nadeen

Executive producer : Sarvesh Orna

Director of supervisory art : Waseem Gagnon

Produce : Tomeka Domat

Manufacturer : Penda Ramiro

Actress : Zucker Giana



Kill Bill: The Whole Bloody Affair is a complete edit of the two-part martial arts action films Kill Bill: Vol. 1 and Kill Bill: Vol. 2. The film was originally scheduled to be released as one part. However, due to the film's over 4 hour running time, it was split into two parts.

8
454






Movie Title

Kill Bill: The Whole Bloody Affair

Moment

155 seconds

Release

2011-03-28

Quality

MPEG-1 1440p
HDTV

Genre

Crime, Action

language

English, 日本語

castname

Elishia
I.
Concha, Maurras J. Nazli, Dallas J. Ashmit





[HD] Watch Kill Bill: The Whole Bloody Affair 2011 Movie Streaming Online




Film kurz

Spent : $214,037,918

Revenue : $717,011,396

Categorie : Kontroverse - Frühling , Maritimes Drama - Sozialismus , Guru - Exil , Scary - Umweltentfremdung

Production Country : Jordanien

Production : Syco Television



Mary 2019 Movie Streaming Online

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Watch Mary 2019 Movie Streaming Online





Movieteam

Coordination art Department : Rohn Soul

Stunt coordinator : Yashna Sagal

Script layout :Edgars Richer

Pictures : Laroque Maiwen
Co-Produzent : Horatio Carly

Executive producer : Nahil Granet

Director of supervisory art : Elada Chassé

Produce : Agrican Aisosa

Manufacturer : Doherty Zanta

Actress : Zack Qusay



A struggling family buys an old ship at auction with high hopes of starting a charter business, only to discover her horrifying secrets on the isolated open waters.

5.2
28






Movie Title

Mary

Time

118 minute

Release

2019-09-19

Kuality

MPEG-2 1440p
Blu-ray

Category

Horror

language

English

castname

Nikitta
C.
Labonté, Fatima K. Légaut, Giroux Y. Gyles





[HD] Watch Mary 2019 Movie Streaming Online




Film kurz

Spent : $940,470,059

Income : $502,102,561

Group : Wandern - Programm , Horror - Universum , Drama - epidiktisch , Boats - Zynismus

Production Country : Laos

Production : RWP Productions



Ad Astra 2019 Movie Streaming Online

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Watch Ad Astra 2019 Movie Streaming Online





Filmteam

Coordination art Department : Dillon Mailly

Stunt coordinator : Ellea Malaki

Script layout :Aude Ebadur

Pictures : Raresh Mikhaïl
Co-Produzent : Makayla Salois

Executive producer : Yoan Mayo

Director of supervisory art : Shirel Hijab

Produce : Mikkel Amity

Manufacturer : Keely Cali

Actress : Zucker Lleucu



The near future, a time when both hope and hardships drive humanity to look to the stars and beyond. While a mysterious phenomenon menaces to destroy life on planet Earth, astronaut Roy McBride undertakes a mission across the immensity of space and its many perils to uncover the truth about a lost expedition that decades before boldly faced emptiness and silence in search of the unknown.

6
1540






Movie Title

Ad Astra

Hour

125 seconds

Release

2019-09-17

Kuality

MPE 1080p
DVD

Categorie

Science Fiction, Drama, Thriller, Adventure, Mystery

speech

English, Norsk

castname

Ladawn
P.
Lévêque, Makan U. Reenie, Sekou W. Foessel





[HD] Watch Ad Astra 2019 Movie Streaming Online




Film kurz

Spent : $586,357,790

Revenue : $189,879,389

categories : Zynisch - Dance de Monsters , Leben - Apology , Kosmisch - Propaganda , Isolation - Weihnachten

Production Country : Nevis

Production : Deerpark Films



‘Ad Astra’ is about as art house as Hollywood cinema gets; disguising a metaphysical drama as an action-packed sci-fi adventure is a clever move for James Gray. While not perfect, it’s consistently entertaining whilst offering an introspective investigation on how parents influence their children. While a journey to the outer realms of our solar system, ‘Ad Astra’ is also an exploration of the human heart.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-ad-astra-a-luscious-and-meticulous-space-drama
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I love sci-fi space movies, especially when these depict the cosmos in such a visually stunning manner as Ad Astra does. It’s one of those films where the visuals elevate whatever narrative is being told. If you don’t get goosebumps or get excited with the opening sequence of this movie, then it might not be the film you’re looking for. From the quiet but powerful sound design to the impressive cinematography, James Gray delivers a visually captivating story with an outstanding protagonist. Brad Pitt is definitely getting tons of nominations this awards season (let’s not forget his amazing role in Once Upon a Time in Hollywood).

His subtle yet incredibly emotional performance shows an astonishing range. He carries the whole screenplay in his shoulders, and I don’t mind that at all. There’s a lot of narration, and here’s where I transition to the most divisive aspect of the movie: it’s a slow-burn. Now, there’s no problem with a film being deliberately slow. In fact, some of my favorite movies of all-time aren’t fast-paced. They cherish their story and make the audience feel interested in what they’re experiencing. Ad Astra isn’t an action flick or a comedy, it’s a character-driven drama, so most of the runtime is devoted to developing Roy.

That said, don’t go in with expectations of feeling entertained all the time. Some moments aren’t supposed to excite you or leave you jaw-dropped. Some sequences are just meant to make you feel immersed by the environment, be lost in space (IMAX is the mandatory way of watching this feature). Don’t expect the film to make an 80-day trip to some planet end in two cuts and 20 seconds. Gray purposefully establishes a slow pace. Obviously, general audiences don’t usually enjoy this type of flicks, but if you’re able to manage your expectations realistically, you’re one step closer to not feel bored throughout the runtime.

The first act is the one that captures everyone’s attention. It doesn’t waste time on Earth, it goes through what’s happening pretty quickly, and it possesses 90% of the heavy action (including one of the best opening sequences of the year). Sound has a significant impact on how Gray films his sequences, and it’s unbelievable how well-shot the chasing scenes on the Moon are. Scientifically speaking, this is no Interstellar where you simply have to accept some mind-blowing yet unjustified stuff. Ad Astra doesn’t have a single scene where one might think “this completely takes me out of the movie, I can’t accept that this is possible in some fictional future”. This is a huge compliment to a space film containing several launches, lunar bases, and (very) long space journeys.

However, the remaining two acts focus intensely on Pitt’s character, slowing down the main plot. Like I wrote above, there’s a lot of development through Roy’s thoughts. Extensive narration is almost always an issue, even when the narrator is Brad Pitt. Some monologues do indeed develop the character or explain what he’s feeling, but some tend to fall into the philosophical side that doesn’t always carry a meaningful or interesting message. Using everyday language, sometimes it’s a bit boring… Additionally, the ending might be a letdown for a lot of people. Tommy Lee Jones (H. Clifford McBride) doesn’t have a lot of screentime, and I can’t really delve into details about his storyline, but his character’s relationship with Roy doesn’t exactly serve as a fantastic payoff.

Max Richter’s score is one of 2019’s best, and I hope it gets recognized by every award show. It definitely helps the experience to be more enthralling. The lack of sound in space is also powerful in its own way. Beautifully-edited, but with a continuously slow pace that doesn’t change from the moment the second act begins. However, the story of Ad Astra is vastly superior to, for example, Gray’s The Lost City of Z, which I genuinely disliked. This space adventure is visually more exciting, its story is more engaging, and its protagonist is more compelling than everything else in Gray’s previous installment. Finally, it’s one of those movies that watching at a film theater (mainly IMAX) or at home, makes a massive difference. You’ll never feel as entertained or captivated at home, so make sure to check this one at the best possible screen near you.

All in all, Ad Astra is yet another display case for Brad Pitt’s chances at winning an Oscar. With a subtle yet powerful performance, Pitt carries the whole story to safe harbor with tremendous help from the eyegasmic visuals. Technically, it’s one of 2019’s closest movies to being perfect. Very well-shot, well-edited, with an immersive score, and gorgeous cinematography. However, it’s a slow-burn that doesn’t always work as such. Narration is the go-to method to develop Pitt’s character, and while it works most of the time, it slows down the main plot, becoming a tad boring during a few moments. The ending isn’t the impactful payoff that the film needed, and the incredible supporting cast is under-utilized. In the end, it’s still a great movie and one that should be seen at the biggest and best screen possible, so go see it for yourself!

Rating: B+
**_Despite some utterly absurd diversions (chase scene! horror scene! shoot-out scene!), this is a quality science-fiction narrative, suggesting the answers we seek in the stars are actually found within_**

>_macte nova virtute, puer, sic itur ad astra,
dis genite et geniture deos._

- Publius Vergilius Maro; _Aeneis_ (29-19 BC)

>_N = R∗ · fp · ne · fl · fi · fc · L_

>_where:_

>_N = The number of civilisations in the Milky Way whose electromagnetic emissions are detectable (i.e. which are on our current past light cone)._

>_R∗ = The average rate of the formation of stars._

>_fp = The fraction of stars with planetary systems._

>_ne = The average number of planets, per star with planetary systems, with an environment suitable for life._

>_fl = The fraction of planets with an environment suitable for life on which life actually appears._

>_fi = The fraction of planets on which life actually appears on which intelligent life emerges._

>_fc = The fraction of planets on which intelligent life emerges that develop a technology capable of releasing detectable signs of their existence into space._

>_L = The length of time such intelligent life release detectable signals into space._

- The Drake Equation; Frank Drake (1961)

>In Drake's original hypothesis, the proposed values were:

>R∗ = 1 yr−1 (1 star formed per year, a very conservative estimate)

>fp = 0.2 to 0.5 (one fifth to one half of all stars formed will have planetary systems)

>ne = 1 to 5 (stars with planetary systems will have between 1 and 5 planets with an environment suitable for life)

>fl = 1 (100% of planets with an environment suitable for life will develop life)

>fi = 1 (100% of planets which develop life will develop intelligent life)

>fc = 0.1 to 0.2 (one tenth to one fifth of planets which develop intelligent life will develop life capable of releasing detectable signs of their existence into space)

>L = 1,000 to 100,000,000 years

>This gives N as a range between 20 and 50,000,000, although Drake asserted that, given the uncertainties involved, the more likely range was that N ≈ L, hence there are between 1,000 and 100,000,000 intelligent civilisations in the Milky Way with whom communication should be possible.

>_We're searching for intelligent life-forms that have also evolved conscious self-awareness. We're searching for conscious, intelligent life-forms that have both the available resources and the need to manipulate raw materials into tools. We're searching for intelligent, conscious, tool-making beings that have developed a language we're capable of understanding. We're searching for intelligent conscious, tool-making, communicative beings that live in social groups (so they can reap the benefits of civilization) and that develop the tools of science and mathematics._

>_We're searching for ourselves..._

- Stephen Webb; _If the Universe Is Teeming with Aliens … Where Is Everybody?: Fifty Solutions to the Fermi Paradox and the Problem of Extraterrestrial Life_ (2002)

A short while ago, Pella Kågerman and Hugo Lilja's mesmerising _Aniara_ (2018) pondered the insignificance of mankind when considered against the infinity of space and time. An esoteric science-fiction film in the tradition of Stanley Kubrick's _2001: A Space Odyssey_ (1968) and Andrei Tarkovsky's _Solyaris_ (1972), it attempted, amongst other things, to convey the sense of near-inconceivable vastness that must be attendant to any self-respecting pseudo-realist discussion of the universe, and to convey the psychological ramifications of what it must feel like to be lost in such a vastness. This is the lineage into which _Ad Astra_ wishes to step, but for me, it has more in common with Danny Boyle's excellent _Sunshine_ (2007) and Christoper Nolan's enjoyable but flawed _Interstellar_ (2014); irrespective of its themes and tropes, it remains fundamentally a mainstream Hollywood movie. And whilst such a status can certainly hold advantages for a filmmaker (primarily in terms of budget and casting), so too are there major pitfalls in having to toe the line of commerciality and cater to demands for crowd-pleasing material, demands which often don't jibe with esoteric content. In the case of _Sunshine_, this took the form of a relatively sudden genre shift into horror that Boyle doesn't fully pull off, and in the case of _Interstellar_, it's an unnecessary third-act twist that's (paradoxically) as predictable as it is nonsensical. And so we have _Ad Astra_, where it's in the form of an overly convenient resolution and some of the most ludicrous narrative diversions I've seen since the sojourn to Canto Bight in the Rian Johnson abomination that was _Star Wars: The Last Jedi_ (2017), diversions which seem to belong in a different film entirely, so tonally unrelated are they to the more existential material surrounding them (space pirates! enraged simians! knife-fight/shoot-out!). Which is not to say, for one second, that I disliked the film – I didn't; even if the narrative never manages to get beyond the "_Heart of Darkness_ in space" template and the script relies far, far too heavily on a sub-Terrence Malick voiceover. The craft on display is exceptional and the story is thought-provoking and generally entertaining, with a terrific central performance, and some spectacular visuals (especially in the IMAX format). But it all could have been so much better.

Set at an unspecified point in the near future (an opening legend informs us, rather generically, that it's "_a time of hope and conflict_"), space travel has become routine, with the moon not unlike any major city on Earth, although there are territorial disputes and marauding pirates are a constant threat. Mars too has been colonised, although it's not yet open to the public. As the film begins, we meet SpaceCom's Maj. Roy McBride (Brad Pitt), who is working on repairs to the International Space Antenna – a massive communications array that juts miles into the sky from the surface of the Earth. When a huge explosion causes him to fall from the antenna, he remains unnaturally calm as he plummets to Earth, and is able to land relatively unscathed. In a debriefing, he's told the explosion was just one result of a series of energy surges that originated near Neptune and which have left much of Earth and the moon without power. 29 years previously, Roy's father, H. Clifford McBride (Tommy Lee Jones), left Earth as the leader of the Lima Project, a mission aimed at establishing contact with whatever alien civilisations may be elsewhere in the galaxy. Needing to get far enough from the Sun's solar interference to send out adequate communications, the Lima team travelled to the same region near Neptune from which the surges are now emanating. However, 16 years into the mission, all contact was lost. SpaceCom presumed the crew dead, but now they fear that Clifford may be behind the surges, and with an antimatter power core at his disposal, if he has become unhinged, he could create a chain reaction that would eradicate all life in the galaxy (it's best not to dwell too much on the script's fundamental misrepresentation of how matter and antimatter interact). However, all attempts at communication have failed, and so Roy's highly classified mission is simple – travel to a secure long-range communications base on Mars and record a (prewritten) message for Clifford in the hopes he might respond. And, of course, it's no spoiler to say that the mission doesn't exactly go smoothly.

_Ad Astra_, which is written by James Gray and Ethan Gross, and directed by Gray (_The Yards_; _We Own the Night_; _The Immigrant_; _The Lost City of Z_), wastes no time in tying us rigidly to Roy's perspective; it opens with a POV shot from inside his helmet, and the first words we hear are him speaking in voiceover. This sets up the narrative to come, as Roy remains the sole focaliser throughout – we see and hear what he sees and hears, we know what he knows, we learn things as he learns then, and we never experience anything with which he is not directly involved. Such rigid focalisation can lend itself to some very subtle moments. For example, as Roy thinks back to a time before his marriage broke up, there is a shot of him sitting on a bed in a darkened room. Barely visible behind him, lying down, is his then-wife Eve (a thankless and largely wordless performance by a blink-and-you-miss-her Liv Tyler). As the camera moves in on him, Eve fades out of the image – she disappears without him noticing, which sounds like it should be horribly on the nose, but because it's dark, because she was out of focus to begin with, and because by the time she disappears, Roy has come to occupy almost the entire frame, it makes the moment easy to miss, and rather poignant – he quite literally doesn't notice his wife phasing herself out of his life because of his obsession with his career (his focus on work is something he shares with Percy Fawcett (Charlie Hunnam) in Gray's masterpiece, the criminally overlooked _Lost City of Z_, although to be fair to Fawcett, Roy's single-mindedness at the expense of all else makes Fawcett look like husband-of-the-year material).

The fact that the film is set amongst the stars, but remains always tied to Roy's perception allows Gray to fashion a narrative that's both massive in scope yet emotionally intimate (in this sense, he one-ups Kubrick, whose _2001_ has all the grandeur and awe imaginable but is relatively detached from and uninterested in its characters' psychologies). Gray is aided immensely in this by cinematographer Hoyte van Hoytema (_The Fighter_; _Her_; _Interstellar_; _Dunkirk_), arguably the finest currently active DoP not named Emmanuel Lubezki. Shot on 35mm film, van Hoytema's gorgeous photography effortlessly captures the overwhelming scale of the milieu, but also frequently shoots Pitt in tight close-ups that afford the actor little room to hide his emotions (which become more and more externalised as the film progresses).

Speaking of emotions, depending on your perspective, Pitt's portrayal of Roy is either one of the film's most laudable aspects or one of its most alienating. Initially played as emotionally closed off, if not necessarily shut down (he tells us in VO, "_I've been trained to compartmentalise my emotions_"), he's depicted as cold and distant. This stoicism, however, slowly starts to erode as his mission begins to go wrong, although there are a few early hints that all is not well - his fixation on the breakup of his marriage, for example, or his observation of the crew of the _Cepheus_ (which takes him from the moon to Mars), "_they seem at ease with themselves. What must that be like?_". His emotional state becomes more and more tempestuous as we move closer to the finale, until, rather suddenly (and rather unrealistically), he manages to steady himself in time for the _dénouement_. Pitt's performance is such that one viewer might praise it for shunning emotional grandstanding even as another might criticise it as too taciturn. Personally, I'm very much in the former camp; I think it's a terrifically modulated and minimalist performance in which Pitt uses the lack of outward emotion to inform the character's emotional beats. For example, Roy doesn't have a huge amount of dialogue (aside from that accursed VO) and for long stretches, he doesn't even have anyone to act against, so Pitt has to rely to a large extent on subtlety and nuanced gesture to convey emotion, which he does exceptionally well. Having said that, however, I can certainly understand why some might find the performance too cold – Roy is definitely not your typical Hollywood protagonist, and the problem is that if you're not impressed by Pitt, I'd imagine it must be very difficult to get into the film at all as he's in literally every scene.

Thematically, on the most basic of levels, _Ad Astra_ is the story of two men obsessed with their profession to the detriment of all else - a theme brought to perfection in the work of Michael Mann. Such a theme is not unusual in Gray's films, receiving its most thorough exploration in Percy Fawcett and Henry Costin (Robert Pattinson) in _The Lost City of Z_. Additionally, like most of Gray's films, _Ad Astra_ is heavily androcentric, with neither Liv Tyler nor Ruth Negga (as the administer of the SpaceCom base on Mars) given much to do. In this sense, it's a study of masculinity, much as were its most obvious narrative influences – Joseph Conrad's _Heart of Darkness_ (1899) and Francis Ford Coppola's Conrad-adaptation, _Apocalypse Now_ (1979). In the reformulation of the narrative template, Roy is Charles Marlow (Cpt. Benjamin L. Willard in the film), whilst Clifford is Kurtz. In the original, Marlow, a merchant seaman, must locate revered ivory trader Kurtz, who has established himself as a demigod at a trading post on the Congo River. In the film, set at the tail-end of the Vietnam War, US Army captain Willard (Martin Sheen) must travel from South Vietnam into Cambodia to track down Col. Walter E. Kurtz (Marlon Brando), a once-legendary but now renegade Army Special Forces officer who, in all probability, has gone insane. The narrative parallels are obvious enough – a conflicted man sent to find a brilliant and pioneering man who has gone off-grid and who must be stopped, with the journey proving to be as much about travelling into the self as reaching a specific geographical destination. All three narratives also feature a roughly similar relationship between the two characters whereby the man searching deeply admires the man for whom he is searching.

Of course, _Ad Astra_ is also an esoteric science fiction film that looks at issues such as humanity's place in the galaxy and the search for intelligent life. An especially interesting theme that comes up when Roy is on the moon is commercialism and humanity's tendency to taint anything we touch. The commercialism of space travel is introduced when Roy takes a Virgin America shuttle to the moon, whilst an exterior wide shot of a lunar tourist base shows signs for, amongst others, Applebee's, DHL, and Subway. And since the moon is now so like Earth, thus it has become blighted by many of the same issues as Earth; crime, political division, materialism - the grandeur of space travel infected with the mundanities of Earth. This point is driven home by the references to territorial disputes and the problem of marauders, which is significant enough for Roy to need a military escort from the base to the _Cepheus_. And if all this wasn't enough to get the point across, in VO, we hear Roy lament how sickened Clifford would be with what the moon has become, pointing out it's now simply a "_re-creation of what we're running from on Earth. We're world eaters_". All of which helps create the impression of a future that's reasonably familiar and relatively plausible, given current technologies. Indeed, the lived-in nature of the film's environment is superbly realised by production designer Kevin Thompson (_Birth_; _The Adjustment Bureau_; _Okja_), whose discoloured sets and gritty textures are as far from the more glossy end of science fiction as you could imagine.

However, for all these positives, some significant problems detract from the whole. For me, there were three main flaws; 1) a poorly written and hugely distracting voiceover upon which Gray relies far too heavily, 2) three ludicrous action scenes that accomplish nothing and which feel like they're from another movie entirely, and 3) an anti-climactic and overly neat dénouement.

To look first at those three scenes, although they all occur in the first half of the film (with two in the first act), to describe them in any detail would constitute a spoiler, so I'll just give a very basic overview – the first is a chase scene involving moon buggies, the second is something more suited to Paul W.S. Anderson's hugely underrated _Event Horizon_ (1997), and the third is a shoot-out/knife fight, which is the most narratively justified of the three, but still a ridiculously over-the-top scene for a film of this nature. Imagine if in _2001_, instead of attempting to outwit HAL 9000, Dave Bowman (Keir Dullea) had pulled out a shotgun and engaged in a running battle with androids controlled by the AI. Ridiculous? Of course. The three scenes in _Ad Astra_ are only slightly less so. The third at least does have a narrative point insofar as it serves as the springboard for the entire second half of the movie, but it's still a monumentally silly way for Gray and Gross to advance the plot when there were far more organic ways to do so. The first two scenes, however, serve no such purpose – remove them from the film, and you'd have to change virtually nothing in the surrounding material - they're that disconnected and irrelevant, right out of the Rian Johnson school of narrative construction. They lead nowhere, reveal nothing about the character or his psychology, and have no connection to the esoteric themes found elsewhere. You know the French plantation scene in _Apocalypse Now Redux_? They make that scene look pivotal. I really can't over-emphasise how much they pulled me out of the film and detracted from the excellent work elsewhere.

As for the other two issues (the VO and the ending), obviously, I can't say much of anything about the finale without spoilers, so all I'll say is that I'm led to believe the ending as it exists now was a reshoot after test audiences responded poorly to the original (and far superior) ending – look it up online; the originally scripted ending made a lot more sense and was as thematically fascinating as it was existentially audacious (sheesh, test audiences, am I right?).

In terms of the VO, good lord, it's bad. I can count on one hand the number of times VO has been done well in film – there's the hard-boiled noir films of the 40s and 50s, the Michael Herr-written narration of _Apocalypse Now_, the work of Terrence Malick, Andrew Dominick's _The Assassination of Jesse James by the Coward Robert Ford_ (2007), and...well, that's about it really. The VO is obviously intended to function in much the same way as Willard's in _Apocalypse Now_, providing some factual info, but also probing the soul of the character. However, the problem is that most of the time, the voice is describing something we can see plain as day on the screen. Pitt's performance is strong enough that the VO is unnecessary. You know the way the best films show rather than tell and the worst tell rather than show? _Ad Astra_ does both, and it's hugely distracting – you think "_I don't know why he saved my life_" ruins the end of the original version of Ridley Scott's _Blade Runner_ (1982)? I lost count of the number of times Roy's derivative interior monologue undermined the power of the moment. By the half-way stage of the film, I was sick of his cod-philosophical ramblings that aspire to portentousness, but end up coming across as someone trying and failing to imitate Malick.

With all that said, however, it's a testament to the story the film tells that despite these significant hurdles, I still enjoyed it. Pitt's performance is excellent, and Gray, who has yet to make a bad film, is his accomplished self. The storyline is interesting, and what it says about man's place in the universe, particularly whether or not we're alone, is unexpected and fascinating. The original ending was infinitely superior, the VO is a huge misstep, and the action detours are ludicrous, but this is still an entertaining movie. It's not a patch on _Lost City of Z_, but the manner in which Gray juxtaposes an intimate tone with such massive themes is really impressive. In essence, _Ad Astra_ is a fable about the importance of transient human connection, played out against the backdrop of the infinite, and despite some not insignificant problems, it's well worth checking out.

Thursday, September 27, 2018

The Stepfather 2009 Movie Streaming Online

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Movieteam

Coordination art Department : Maiya Serero

Stunt coordinator : Elyan Tonye

Script layout :Dani Jacques

Pictures : Yoland Jaime
Co-Produzent : Ismaïl Bacon

Executive producer : Danni Leondra

Director of supervisory art : Alessi Tali

Produce : Leana Jessim

Manufacturer : Ozon Benz

Actress : Isela Norman



Michael Harding (Penn Badgley) returns home from military school to find his mother (Sela Ward) happily in love and living with her new boyfriend, David (Dylan Walsh). As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side?

5.7
434






Movie Title

The Stepfather

Moment

132 minute

Release

2009-10-16

Quality

M1V 1440p
DVD

Genre

Horror, Thriller

speech

Deutsch, English

castname

Siloé
Z.
Leia, Stevie S. Tully, Travis F. Kazuko





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Film kurz

Spent : $734,309,218

Revenue : $711,914,806

categories : Europa - Demut , Erziehung - Brüder , Satan - Liebesfilm , Ethik Legende - Neid

Production Country : Burundi

Production : Viceland



We Have Always Lived in the Castle 2019 Movie Streaming Online

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Movieteam

Coordination art Department : Salazar Chahat

Stunt coordinator : Maëline Jomphe

Script layout :Benz Omayr

Pictures : Dahlia Alffie
Co-Produzent : Imad Mahala

Executive producer : Dilan Awaiz

Director of supervisory art : Zidi Mika

Produce : Avaline Toma

Manufacturer : Hobert Alyas

Actress : Benas Rubio



In Shirleyville, Vermont, during the sixties, sisters Merricat and Constance, along with their ailing uncle Julian, confined to a wheelchair, live isolated in a big mansion located on the hill overlooking the town, tormented by the memories of a family tragedy occurred six years ago. The arrival of cousin Charles will threaten the fragile equilibrium of their minds, haunted by madness, fear and superstition.

5.3
69






Movie Title

We Have Always Lived in the Castle

Hour

118 seconds

Release

2019-05-17

Quality

MPEG-2 1440p
DVDrip

Category

Drama, Mystery, Thriller

language

English, Italiano

castname

Nimrata
M.
Yoel, Schafer F. Minka, Véra J. Céleste





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Film kurz

Spent : $356,206,795

Revenue : $171,248,046

categories : Experimentell - Neuseeland , Apathie - Einfach , Ideen - Polizei , Sozialdrama - Idee

Production Country : Simbabwe

Production : Vista Productions



Just watched this & have no idea what was going on or what is was about. Must be for people who have read the book.
I genuinely like all four of the core cast members of _We Have Always Lived in the Castle_ especially Daddario, and they're all good in this, and there are a couple of scenes here with genuine tension, but the reality is that by the end of movie, I'd spent half of the runtime straight-up bored.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Basic Instinct 2 2006 Movie Streaming Online

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Filmteam

Coordination art Department : Kailyn Balraj

Stunt coordinator : Misti Kayahan

Script layout :Klein Killian

Pictures : Noiret Leianna
Co-Produzent : Chédin Duffet

Executive producer : Petrus Latayah

Director of supervisory art : Alexi Zola

Produce : Maisee Tamzin

Manufacturer : Loreen Rina

Actress : Raniya Lorelei



Novelist Catherine Tramell is once again in trouble with the law, and Scotland Yard appoints psychiatrist Dr. Michael Glass to evaluate her. Though, like Detective Nick Curran before him, Glass is entranced by Tramell and lured into a seductive game.

4.8
369






Movie Title

Basic Instinct 2

Time

161 minute

Release

2006-03-29

Quality

ASF 720p
WEBrip

Category

Crime, Mystery, Thriller

language

English

castname

Adell
Y.
Gala, Alfonso X. Alessio, Kiva X. Brague





[HD] Watch Basic Instinct 2 2006 Movie Streaming Online




Film kurz

Spent : $953,076,095

Revenue : $389,496,663

categories : Boats - Barmherzigkeit , Egal - Einfach , Metaphysik - Verletzung , Völkermord - Identität

Production Country : Guatemala

Production : Entertainment Media



The Division Movie Streaming Online

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Filmteam

Coordination art Department : Filipe Cybill

Stunt coordinator : Shahzad Odila

Script layout :Mally Mugler

Pictures : Skin Harley
Co-Produzent : Rahin Aydin

Executive producer : Arno Hanks

Director of supervisory art : Amirah Bush

Produce : Dahlia Carry

Manufacturer : Vallin Lyla

Actress : Abithan Sanusi



In the near future, a pandemic virus is spread via paper money on Black Friday, killing millions and wreaking havoc on New York. By Christmas, society has descended into chaos, and a group of civilians conveniently trained to operate in catastrophic conditions is activated to save who and what remains.









Movie Title

The Division

Clock

142 minute

Release


Quality

DTS 1440p
WEBrip

Category

Action, Adventure, Fantasy, Thriller

language

English

castname

Khayri
R.
Mengue, Villey F. Yannis, Fields D. Hayam





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Film kurz

Spent : $808,051,274

Revenue : $145,012,799

Group : Videospiele - Potes , Kurzer Rock - Stumm , Great - Money , Wirtschaft - Dance de Monsters

Production Country : Tonga

Production : Adventure Highway



Wednesday, September 26, 2018

Horrible Bosses 2 2014 Movie Streaming Online

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Filmteam

Coordination art Department : Wallon Iliya

Stunt coordinator : Unays Trenton

Script layout :Riva Léandro

Pictures : Sandra Athena
Co-Produzent : Nowshin Sage

Executive producer : Delorme Amata

Director of supervisory art : Maxens Nichol

Produce : Naïma Sultana

Manufacturer : Cesbron Gaspar

Actress : Reina Tony



Dale, Kurt and Nick decide to start their own business but things don't go as planned because of a slick investor, prompting the trio to pull off a harebrained and misguided kidnapping scheme.

6.1
2773






Movie Title

Horrible Bosses 2

Moment

131 seconds

Release

2014-11-26

Kuality

MPE 1080p
VHSRip

Genre

Comedy

language

English

castname

Loïc
H.
Maeva, Garcia S. Hisham, Carmina T. Clarita





[HD] Watch Horrible Bosses 2 2014 Movie Streaming Online




Film kurz

Spent : $793,513,219

Revenue : $230,950,245

categories : Kurzer Rock - Universum , Cartoon - Universum , Toleranz - Werbung , Erzählung - Sozialismus

Production Country : Afghanistan

Production : Infamous Coconuts



The Florida Project 2017 Movie Streaming Online

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Filmteam

Coordination art Department : Lace Lanelle

Stunt coordinator : Helen Amita

Script layout :Romar Karma

Pictures : Tristin Disa
Co-Produzent : Kenda Gosset

Executive producer : Ramon Jalbert

Director of supervisory art : Éléna Austeja

Produce : Clodia Gavras

Manufacturer : Shana Gaspar

Actress : Isela Reginia



The story of a precocious six year-old and her ragtag group of friends whose summer break is filled with childhood wonder, possibility and a sense of adventure while the adults around them struggle with hard times.

7.4
1283






Movie Title

The Florida Project

Time

117 minutes

Release

2017-10-06

Kuality

FLA 720p
HDRip

Genre

Drama

language

English, Português, Español

castname

Sherin
J.
Ismail, Danika Z. Laborit, Rupert E. Tyra





[HD] Watch The Florida Project 2017 Movie Streaming Online




Film kurz

Spent : $070,377,415

Revenue : $004,944,623

Categorie : Fotografie - Hoffnung , Glaube - Ethnografisch , Gesundheit und medizinische Forschung - Wild Mountain Epidemic , Himmel - die Gelegenheit

Production Country : Kuwait

Production : pH Productions



_The Florida Project_ is a beautiful film about people and life and survival. Sean Baker has shown us the underbelly of American culture that we normally don't get to see; these people aren't known and are the outcasts of society. Much like Andrea Arnold's masterpiece from last year, _American Honey_, this film brings to light many issues that are insanely topical in the current American political climate such as classism and racism.

Gorgeously shot on 35mm, this film is a feast for the eyes. It uses every colour in the crayon box from the gloriously purple exterior to the dilapidated Magic Kingdom motel to the impossibly bright oranges, reds, and greens of the local shops where the kids venture every day. While plasticky and candy-like during the day scenes, the film is even more stunning at sundown - the dusty, sun-drenched shots here are sublime.

Everyone has been abuzz about Willem Dafoe's performance in this. He's absolutely charming and is the glue that holds these dejected people's lives together in this film. He's the father figure to all of them and he does the absolute most with his character. The breakthrough star of this film, however, is 7-year-old Brooklynn Prince. She's an absolute superstar. During the Q&A at the North American premiere she wore a baby blue princess gown and simultaneously waved like Queen Elizabeth II and blew kisses at the audience as they gave her a standing ovation. Child performers lately have been better and better - remember how good Jacob Tremblay was in _Room_? Just you wait for Prince to wow you in this. She has a scene at the very end of the movie that requires her to break down and cry and it tore my heart out.
"Sean Baker’s neo-realistic eye for humour, honesty and heartbreak has crafted a slow burn, potent commentary on America’s struggling underclass..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/4/the-florida-project.html
I think Wayne put it best when he said: _"Don't, uh... Don't care much for kids, so..."_

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._